The abstract for my presentation, as well as references, have already been made available. I wasn’t aware (or had forgotten) that all the presentations from Social Media Camp Victoria were going to be recorded and put on the web, but thought that others visiting this space might be interested in my talk. The camera is zoomed in on me, which means you miss some of the context provided by slides and references to people in the audience as I was talking. (Having quickly looked/listened to some of what I say, I feel as though I’m adopting a presentation style similar to a few people I watch a lot. Not sure how I think about that…The inability to actually walk around – being tethered to the mic and laptop – was particularly uncomfortable, which comes across in my body language, I think.)
Immediately after my presentation, Kris Constable of PrivaSecTech gives a privacy talk on social media that focuses on the inability to control personal information dissemination. Following his presentation, the two of us take questions from the audience for twenty or thirty minutes.
Last week I was a participant at the COUNTER: Counterfeit and Piracy Research Conference in Manchester, UK. I was invited to be part of a panel on deep packet inspection by Joseph Savirimuthu, as well as enjoy the conference more generally. It was, without a doubt, one of the best conferences that I have attended – it was thought-provoking and (at points) anger-inducing, good food and accommodations were provided, and excellent discussions were had. What I want to talk about are some of the resonating themes that coursed through the conference and try to situate a few of the positions and participants to give an insight into what was talked about.
The COUNTER project is a European research project exploring the consumption of counterfeit and pirated leisure goods. It has a series of primary research domains, including: (1) frequency and distribution of counterfeits; (2) consumer attitudes to counterfeit and pirated goods; (3) legal and ethical frameworks for intellectual property; (4) policy options for engaging with consumers of counterfeit; (5) the use of copyrighted goods for the creation of new cultural artifacts; (6) impacts of counterfeiting and control of intellectual property.