Copyright Infringement

Draft – Deep Packet Inspection: Privacy, Mash-ups, and Dignities

/ Christopher Parsons

This is a draft of the paper that I’ll be presenting at the Counter: Piracy and Counterfeit conference in Manchester in a few days. It’s still rough around some edges, but feels like a substantial piece. Comments, as always, are welcome.

Abstract:

Privacy operates as an umbrella-like concept that shelters liberal citizens’ capacity to enjoy the autonomy, secrecy, and liberty, values that are key to citizens enjoying their psychic and civil dignity. As digitisation sweeps through the post-industrial information economy, these same citizens are increasingly sharing and disseminating copywritten files using peer-to-peer file sharing networks. In the face of economic challenges posed by these networks, some members of the recording industries have sought agreements with Internet Service Providers (ISPs) to govern the sharing of copywritten data. In Britain, file-sharing governance has recently manifested in the form of Virgin Media inserting deep packet inspection (DPI) appliances into their network to monitor for levels of infringing files. In this presentation, I argue that ISPs and vendors must demonstrate technical and social transparency over their use of DPI to assuage worries that communications providers are endangering citizens’ psychic and civil dignities. Drawing on recent Canadian regulatory processes concerning Canadian applications of DPI, I suggest that transparency between civil advocacy groups and ISPs and vendors can garner trust required to limit harms to citizens’ psychic dignity. Further, I maintain that using DPI appliances to detect copyright infringement and apply three-strikes proposals unduly threatens citizens’ civil dignities; alternate governance strategies must be adopted to preserve citizens’ civil dignity.

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Crown, Copyright, and the CRTC

/ Christopher Parsons / 6 Comments

I’m in the middle of a large project (for one person), and as part of it I wanted to host some CRTC documents on the project’s web server to link into. You see, if you’ve ever been involved in one of the CRTC’s public notices you’ll know that there are literal deluges of documents, many of which are zipped together. For the purposes of disseminating documents over email this works well – it puts all of the documents from say, Bell, into a single zipped file – but makes a user-unfriendly structure of linking to: expecting casual reader to link to zip archives is unreasonable. Given that as part of this project I do want to facilitate ease of access to resources it’s important that users can link to the documents themselves, and not zip archives.

While I pay attention to copyright developments in Canada and abroad, and have strong stances on how academics and the Canadian government should licence their publications, I’m not a lawyer. I do, however, know that government documents in Canada are governed by Crown Copyright – unlike in the US, the Canadian government maintains copyright over its publications – and thus I wanted to check with the CRTC if there were any problems hosting documents from their site, including those presumably under a Crown copyright such as the CRTC’s decision.

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Will Copyright Kill eHealth?

/ Christopher Parsons

bodyworldsThere is a metric ton of cash that’s being poured into eHealth initiatives, and to date it doesn’t appear that governments are recognizing the relationship between copyright law and eHealth. That makes a lot of sense in some ways – when most of us think ‘medicine’ and ‘doctor’ we think about privacy as one of, if not the, key issues (while, other than hopefully curing whatever is making us ill!). In this light, we wonder about the security of databases, the willingness of healthcare providers to limit access to records, and so forth. People in Canada are worried enough about privacy that, on the Ontario Government’s eHealth Ontario site, ‘Privacy and Security‘ are front and center as a main link on their homepage. When we turn to British Columbia’s October 23, 2009 Heath Sector Information Management/Information Technology Strategy and search for ‘privacy’ we see that the term appears on 18 of the report’s 55 pages. Moving over to the Ontario Information and Privacy Commissioner’s May 2, 2006 presentation on health information and electronic health records we, again, see emphases on the privacy and security concerns that must be posed alongside any movement to massively digitize the healthcare infrastructure.

What we see less of in the eHealth debate are the prevalent dangers accompanying threats to cut citizens off of the ‘net as a consequence of copyright infringement. It’s this issue that I want to briefly dwell on today, in part to start ramping up some thoughts on the wide-ranging effects of three-strikes laws that are starting to be adopted and/or seriously discussed in various jurisdictions around the world.

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Aggregating Information About CView

/ Christopher Parsons

cryingcopyrightOver the past little while there has been considerable attention focused on Virgin Media’s decision to trial Detica’s CView copyright monitoring system. This system uses Deep Packet Inspection (DPI) technology to identify data protocols and likely files that are being transferred in order to generate a Copyright Infringement Index (i.e. a ‘Piracy Index’). As outlined by Detica, CView will let ISPs work with content creators to determine whether ISPs providing content through their portals lead to reductions in ‘infringing’ transfers of content through P2P file sharing.

The story about Detica’s involvement really broke with Chris Williams’ piece over at the Register entitled, “Virgin Media to trial filesharing monitoring system.” In the piece, he recognized that the trial will encompass roughly 40% of Virgin’s customers, that the aim is to measure overall levels of filesharing rather than identify individual customers, and (at least initially) will focus on music. After I read the piece, I send some questions off to Detica and posted them (“Virgin to Use DPI to ID Copyright Infringement“) based on my reading of Williams’ piece and Detica’s consultation paper, and shortly thereafter followed up with Detica’s responses and thoughts on CView and privacy infringements (“Update to Virgin Media and Copyright DPI“). Between the posting of my questions, and the response from Detica, Richard Clayton had a meeting with representatives from Detica and posted the information they released to him over at Light Blue Touchpaper in a posting “What does Detica Detect?” The Register was also able to get face time with people working at Detica, leading Williams to produce his second piece “Spook firm readies Virgin Media filesharing probes.”

In the rest of this post, I want to pull together the information that has come to light so that we can get a better picture of what is known about CView. As such, this is very much a summary rather than an analytic post; hopefully I’ll have time to delve the information more critically in the near future.

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The Business of Infringing Content

/ Christopher Parsons

CreepycopyrightinfringementWhen people are about to download content from the ‘net that is copywritten, many often ask ‘will I get caught doing this?’ For many, the response is ‘no’ and then continue to download that episode of Seinfeld or whatever. Given that there are so many people downloading, and that record companies in the US have claimed to have abandoned filing new lawsuits against individuals, then things (in North America) appear to be getting better.

At issue, however, is that filing lawsuits is big money, and in Europe especially it looks like Digiprotect has moved in to assume first-mover advantage. Digiprotect gets “the legal rights from the companies to distribute these movies to stores, and with these rights we can sue illegal downloaders. Then we take legal action in every country possible, concentrating on the places where such action will be profitable” (Source). They avoid demanding too much money from infringers, on the basis that few judges like the idea of imposing million dollar fines on individuals – usually opting for suits demanding in the vicinity of 500 Euros. This amount of money ‘teaches’ individuals and provides enough money to keep the employees paid. No staff member has a fixed salary – they are paid according to the ‘cases’ that are won. The actual method of determining the financial burdens are based on the business expenses, profit, and money to be distributed to artists. In effect, the company sets up a honeypot and then sues whomever it is profitable to sue.

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Universities Struggle to Cope with Anti-Piracy Requirements

/ Christopher Parsons

copyrightussatireUniversities in the US have been deeply burdened by the Higher Education Opportunity Act that President Bush signed into law last year. In particular, the Act require that “schools ensure they are doing all they can to combat illegal file sharing among students. The new rules, according to the wording contained in the legislation, requires institutions to develop plans to “effectively combat the unauthorized distribution of copyrighted material, including through the use of a variety of technology-based deterrents.” Schools must also “to the extent practicable, offer alternatives to illegal downloading or peer-to-peer distribution of intellectual property.” Any institute found to be non-compliant could lose federal funding” (Source).

To combat unauthorized distributions, technological solutions such as bandwidth shaping and traffic monitoring need to be implemented. Such solutions need to be integrated with advanced DMCA response practices. Of course, some of the companies that are being courted to meet these demands are those that incorporate DPI into their copyright ‘solutions’. I’ve discussed, generally, how these technologies work on campuses from iPoque’s position when writing about one of the company’s whitepapers. In that post, I wrote, Continue reading →