In this article Poster examines the process of globalization through the lens of culture. He is specifically interested in examining how cultural globalization and digital mediums intersect with the nation-state’s competencies.
Decentralized networks have existed in some fashion or another for decades, but the Internet is more developed than the telephone or any other analogue system because it avoids circuit-switched technologies and private ownership. Whereas the telephone was limited in the number of people that could be simultaneously broadcast to, the Internet is designed for mass communication and is insensitive to the loss of particular nodes. As a facet of the digital environment all information on the ‘net has the advantage “virtually costless copying, storing, editing, and distribution” (235).
A central element of Poster’s argument is his distinction between analogue and digital cultural artifacts – analogue artifacts exist in a particular jurisdiction and, as a result of being material constructs, are inherently challenging to duplicate. In contrast, digital artifacts are inherently designed to be shared. Digitized items’ duplicability causes them to escape the laws that traditionally protect cultural items – culture is currently undergoing a shift from the status of being precious, rare, and protected to the status of being precious, common, and naturally unprotected by their digital form. Moreover, the ease of transferring digital cultural items across jurisdictions limits the nation-state’s ability to stem the flow of culture, subsequently preventing the nation-state from developing a localized national culture. Poster notes that on the Internet,