APIs, End-Users, and the Privacy Commons

Mozilla is throwing their hat into the ‘privacy commons‘ ring. Inspired by Aza Rankin’s ‘Making Privacy Policies Not Suck‘, Mozilla is trying to think through a series of icons intended to educate users about websites’ privacy policies. This is inspirational, insofar as a large corporation is actually taking up the challenge of the privacy commons, but at the same time we’ve heard that a uniform privacy analysis system is coming before….in 1998. A working draft for the Platform for Privacy Preferences (P3P) was released May 19, 1998 during the still heady-times of people thinking that Privacy Enhancing Technologies (PETs) could secure people’s online privacy or, at least, make them aware of privacy dangers. The P3P initiative failed.

Part of the reason behind P3P’s failure was the length of its documentation (it was over 150% the length of Alice in Wonderland) and the general challenge of ‘properly’ checking for privacy compliance. Perhaps most importantly, when the P3P working group disbanded in 2007 they noted that a key reason behind their failure was “insufficient support for curent Browser implementors”. Perhaps with Mozilla behind the project, privacy increasingly being seen as space of product competition and differentiation, and a fresh set of eyes that can learn from the successes of the creative commons and other privacy initiatives, something progressive will emerge from Mozilla’s effort.

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Why Lessig is Right (At Least When it Comes to Autobots)

is the founder of the Creative Commons, which effectively allows for a more nuanced (and reasonable) approach to copyright – it establishes particularized rights for different audiences to use your work in different ways. The aim is to allow people to license work so that citizens can use facets of their culture to create new parts of their culture – as an example they can modify images and songs to produce something new, without their modification being labeled a copyright infringement. You’ll note that this blog is under a CC license.

Music, Mashup, and Meaning

There have been a number of particularly stunning documentaries in the past few years that attempt to grapple with the notion of copyright. Of the ones that I’ve seen, Good Copy, Bad Copy(and it’s a free download!) is likely about the best – it examines the role of mashup in music and the role of copyright as it applies to film. Mashups tend to involve taking multiple tracks of music and overlaying them in new and interesting ways – this also tends to act as a method of ‘culture jamming’, insofar as messages are playfully appropriated and modulated in ways that diverge from the cultural direction of the original works of music. As an example, you might hear a song about war with deep and potent lyrics laid atop an electronic dance beat, transforming both of the works in important and substantial ways.

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