Almost all my home computer equipment is composed of Apple products, save for the Windows media center that I’m using to power the TV/display old TV shows/movies/listen to the radio. I’ve been using Windows Vista to power the ‘center until (very!) recently, and for the past two or three weeks have had my Time Capsule and attached AirPort Disk vanish from the network every couple of hours. Given that a lot of my movies and TV shows are on the AirPort Disk, this has been a real problem. Despite the drops, the router-element of the Time Capsule continued to work – I could browse the ‘net, and even run my automated backups using Time Machine, though I couldn’t actually access the data on the Time Capsule!
At first I assumed that the problem was a Windows Vista-related issue. I’d had other issues getting everything set up, and third-parties had mucked around with the media center while I was gallivanting around Ontario a few weeks ago. The only time that the router (and AirPort Disk) become unresponsive was when I used Vista to connect to the AirPort Disk. No issues arose when just browsing the AirPort Disk using a Mac (note: all Macs in the house are running 10.5.7). Continue reading
Lawrence Lessig is the founder of the Creative Commons, which effectively allows for a more nuanced (and reasonable) approach to copyright – it establishes particularized rights for different audiences to use your work in different ways. The aim is to allow people to license work so that citizens can use facets of their culture to create new parts of their culture – as an example they can modify images and songs to produce something new, without their modification being labeled a copyright infringement. You’ll note that this blog is under a CC license.
Music, Mashup, and Meaning
There have been a number of particularly stunning documentaries in the past few years that attempt to grapple with the notion of copyright. Of the ones that I’ve seen, Good Copy, Bad Copy(and it’s a free download!) is likely about the best – it examines the role of mashup in music and the role of copyright as it applies to film. Mashups tend to involve taking multiple tracks of music and overlaying them in new and interesting ways – this also tends to act as a method of ‘culture jamming’, insofar as messages are playfully appropriated and modulated in ways that diverge from the cultural direction of the original works of music. As an example, you might hear a song about war with deep and potent lyrics laid atop an electronic dance beat, transforming both of the works in important and substantial ways.