Full disclosure, up front: I’m reviewing Canadian Copyright – A Citizen’s Guide (published through Between the Lines) as part of the Mini Book Expo. Now, on to the review…
Canadians are inundated with news about copyright on a regular basis. Where copyright was once a little spoken of technical subfield of law, it has blossomed into a vibrant and relevant facet of Canadian cultural discourse. Unfortunately, such discourse is often clouded by the ‘facts’ of copyright that accompany vast swathes of American media that is projected into Canada; discussions of fair use, the Recording Industry Association of America (RIAA), and the definitions of copyright infringement are regularly grounded in American legal statutes. This book offers itself as an accessible panacea that promises to reorient popular discussions of copyright in Canada.
The text is neatly divided into four parts; Ideas, Law, Practice, and Policy. I’ll address each in turn, noting what I appreciated, and what I found lacking (where appropriate). Given that I spend a little bit of time reading and thinking about copyright, I’ll scatter some comments through the review.
Part I – Ideas
This section of the book is meant to give some background to copyright today. It begins by broadly distinguishing between natural rights-based and utilitarian arguments for the value of intellectual property broadly, and copyright specifically. At the same time, the authors recognize copyright as a means to make non-exclusive property (i.e. ideas) exclusive property; copyright functions to cordon off particular ‘things’ from the public. With this theory behind them, they delve into the history of Canadian copyright by examining the traditions of Britain, the United States (US), and France – copyright law in Canada is found at the crossing of these various legal traditions. While the historical basis of copyright often find themselves into texts on the subject, even elementary theory is often hidden from view – the authors should be congratulated for even taking a stab at the theory behind copyright. Given that the book is meant for a general audience, it’s hard to fault them for not digging into the theory too deeply.
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